Hunter
24-12-2013, 01:04
O pó³nocy ukaza³y siê nowe zasady i regu³y (z dok³adnym ich opisem, przyk³adami, poradami oraz podstawowym
oprogramowaniem) obowi±zuj±ce od 1 stycznia 2014 przy tworzeniu wszystkich relków scenowych z muzyk±,
dlatego my¶lê, ¿e warto, ¿eby ka¿dy kto interesuje siê scen±, zapozna³ siê z nimi przed ich wej¶ciem w ¿ycie :)
Official_MP3_Releases_Rules_4.0-2013-RIAA2013
[ Official MP3 Release Rules ]
RELEASE DATE: 2013-12-24
VERSION: 4.0
START DATE: 2014-01-01
NOTES:
The latest official MP3 rules.
Main changes:
- Supports LAME v3.99.5 which includes several enhances and bug fixes.
- Prioritizes vinyl over WEB.
- Introduces "sorted.by.source" for PSZ-NG.
- Allows conversion from lossless WEB.
- AND MORE! (Read FAQ.TXT -> A04)
A poni¿ej ca³a zawarto¶æ archiwum, oraz na koñcu do pobrania samo oryginalne scenowe archiwum.
Welcome:
Dear MP3 scene,
For much too long have we been looked down upon as being thoroughly
inconsistent alongside highly retarded in what are known as our releasing
standards. Now time as finally come for us to bid farewell to our collective
ruling inability and embrace what shall forever be known as the most brilliant
polished set of MP3 scene rules to ever see the day.
Consumerism evolves and so is the music industry. For the ones not knowing
already, the purpose of the scene is for us, taxpayers, to have a way of trying
before purchasing. Over the last decades digital assets expanded from
softwares up to all of the various formats currently in circulation.
The MP3 scene should always remain the prime source of previewing commercial
music but for it to happen we need to not fail to adapt with technology.
With that being said, it is with great honour (and after many many moons of
intensive work) that we are finally introducing the RIAA2013 AKA v4.0 which
is what the MP3 scene had been demanding for far too long ago.
To the many ignorant people out there who claim to know the scene, in our
infancy MP3 releases weren't packaged with SFVs nor did they contained a full
set of tracks. No, the first MP3 singles that terrorized PC speakers were
extracted at 1x and encoded with Fraunhofer at a breathtaking 112CBR. That
process would be taking the full work day for 1 full album to be digitalized.
Back then, releases didn't leave the group's HQ unless the demand for it was
very high.
Some people then decided it would be best to add a SFV and also upper the
encoding quality which sparked up the APC/RNS era. As the MP3 scene wasn't
so vast back then, major groups upgraded releasing standards by teaming up
together and work as "RIAA" in order to focus on music and the MP3 format.
In 1998, dupechecks were all issued on 1 central source. That source also
supported the work done by the RIAA alliance, therefore helping it to strive.
By then 160CBR was king and so were CDs alongside LAME v3.97. No doubt were we
in the golden age of the MP3 scene and when MP3 Council arrived on the scene to
release the much acclaimed v1.0 a couple of years later, the evolution of the
format kept on being made and positive changes applied collectively.
Some years later, that central dupechecking system got buried for good and a
lot of confusion then followed suit. With such a setback a lot of people got
scared touching anything and started embracing the feeling of numbness which is
still somewhat vastly inhabiting the whole MP3 scene up to this very day.
By then the golden age of MP3 was over and v3.0 was rushed out in order for
MP3 Council to keep their grasp on the rules and keep the scene calm and
orderly. But that didn't happened. That rule set was in fact the one that
received the most controversy ever alongside nobody had still bothered
to translate the full thing to English! Let's also mention that v3.0 failed
to bring any sense of needed, nor requested, changes. As the errors were
rolled out, again, all of the inconsistencies that plagued us were still very
well present. At that point most of the serious players knew MP3 Council had
failed us all quite miserably.
Over the courses of the next couple of months, many groups tried reopening
the rules for discussion and debating but it came to no avail. MP3 Council
just didn't cared anymore and FLAC was born out of the inability of MP3 Council
to apply any true changes.
After that, individuals who genuinely cared for the quality of MP3 finally
banded together and started rebuilding v3.0 from the ground up. For well
over 18 months, we have asked every group, actives and/or experienced, to
supply us with their feedbacks and ideas to improve the rules. For the first
time in several rules revision, most of the seasoned rippers have
over-challenged what was known as the suckiest set of rules in order to make
it shine like nobody could have, but music lovers!
At this point we encourage you to get used to our work as we're sure that
you will find them much more clearer, understandable and English than ever.
Also, RIAA2013 brings the sense of frenchness we have been needing for a while
now in our dear Underground.
Lastly, as we try not judging people living in caves, we will tolerate v3.0
compliant rips for 2 months after January 1st. And we are aware that even
though some signatures might be missing, that it still doesn't change anything
to the fact that this rule set is the most loved revision ever. Alongside
serious.
Enjoy RIAA2013 as it's now time to focus back on music and bring respect
back to .MP3!
GREETS:
Everybody who helped in the last 2 years to make this rule set the most perfect.
Even if you chose to remain silent. Thank you!!!
"First they ignore you,
then they laugh at you,
then they fight you,
then you win."
--Mahatma Gandhi
************************************************** *****************************
TL;DR:
************************************************** *****************************
In what is a first for the MP3 community, experienced and seasoned MP3 rippers
representing groups ripping more than 2/3rd of all yearly MP3 releases have put
their personal differences asides and brewed up the most flawless and sexy set
of MP3 rules yet! Uniquely, this new set of rules was not based on politics but
rather based on getting music to the listener most effectively, regardless of
source or format.
Goes into effect: Jan 1st 2014 and v3.0 is accepted until Feb 28 inclusively.
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules, ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
FAQ:
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules, ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
************************************************** *****************************
FAQ:
************************************************** *****************************
Q01: WHAT IS THIS?
A01: RIAA2013 is the most debated rule set ever that incorporates close to a
decade’s worth of pending feedbacks to improve the current MP3 rules.
That feedback not only come from MP3 Council members themselves but were
also then debated by more seasoned rippers. Adding several other points
from groups having experience with ripping more than 1 source.
Q02: WHY SHOULD I CARE?
A02: As a releaser, you can now release any commercially available music
with clear guidelines on how to do so.
As a listener, you will finally get properly, bug-free MP3s encoded from
an encoder that has been stable for well over 18 months.
As a nuker, you will finally have a clear idea of what the hell you're
suppose do be nuking!
As a siteop, you will have to upgrade PSZ-NG in the near future to support
the new "sorted.by.medium".
As a hater, you can hate.
Q03: WHY 2 RULESETS?
A03: It's always impossible to not update scene rules and MP3 scene rules
haven't truly been updated for 4 years. Based on the amount of support
and intelligent debate this as received, RIAA2013 properly obsoletes
"Official MP3 Release Rules 3.0" as the most efficient and intelligent.
Q04: THIS IS E-X-A-C-T-L-Y LIKE THE CURRENT RULES, WTF?
A04: No doubt we have tried to remain as faithful to the original MP3 rules as
we possibly could however several changes were in order so we had to build
a "new" layout which also gave an index for your reading pleasure.
Here are some of the key points of RIAA2013:
* Focusses on music.
* First rule set written 100% in English.
* Supports LAME v3.99.5 which includes several enhances and bug fixes.
* Prioritizes vinyl over WEB.
* Introduces "sorted.by.source" for PSZ-NG.
* Recognizes encoder priority.
* Allows conversion from lossless WEB.
* Recognizes 48KHz superiority (AKA SACD).
* Thoroughly covers all media that any ripper has ever released.
* Genuine defects for retail have been considered.
* Introduces intelligent nuking.
* Most debated rule set ever.
* Every group who has signed the rules actually has read them.
* AND MORE!
Q05: MY GROUP RELEASES ONLY RETAIL CD, THIS IS USELESS.
A05: Thanks for actually reading "A04".
Q06: MP3 COUNCIL OWNS THOSE RULES, YOU DO NOT. YOU CAN'T CHANGE THEM!!!1!
A06: It's a well known fact that MP3 Council is now pretty much defunct. On
top of that, most of what's left of it either lives in fear of getting
dropped from some top sites (AKA politics), just doesn't care or is
already supporting RIAA2013! But don't take our word for it, read what
some had to say about it:
<1> we are not interested in change rules
<2> they pretty much said let the web groups duke it out.. they like the
way it is now
<2> they are old school
<3> i care less for this rules
<3> dude, no one cares.
<4> my people dont care, so as i told you before, dont count with our
backing up, we are all old farts no patience for rules and politics...
<4> read and they dont care
<4> the same way they dont care about FLAC...we just dont have time or
patience towards the scene itself
<4> just let us,,,droll in our corner
<5> we've been talked before, you've figure by now that I have zero
interest in all that reading stuff
<5> don't have much time for scene this days not to mention all those .docs
is plain waste of time atm
Also, nobody "owns" rules. The clear majority of active people is
interested in improving them.
Q07: WHAT IS RIAA2013?
A07: RIAA2013 is a collective of groups that have extensively exchanged ideas and
debated the current set of rules. Our collective ripping
experience by far exceeds what most groups think they know, as our daily
activities combined are accountable for most of the MP3 releases that are
out there. RIAA2013 is about fixing most of the annoyances that have
plagued us for so much time now. All in all, we come from all different
walks of the MP3 scene and have managed to put our differences aside in
order to fuse only the best of our ripping knowledge into what shall be
forever known as the most perfect MP3 rules ever!
Q08: I'M FROM MP3 COUNCIL AND I DON'T AGREE WITH THIS.
A08: By looking at the list of endorsers, which is the biggest ever and which
contains most of the seriously active groups dealing in MP3,
you probably will come to see several of "your" MP3 Council who support
RIAA2013. That's weird! Not only that, but most of the groups who
endorsed RIAA2013 are also much more older and experienced than most of the
groups who have pushed for v2.0 and v3.0. Lastly, if you're living with
your parents and are talking for MP3 Council then you hold no power.
Q09: MY SITE WON'T ALLOW THIS.
A09: It's your site so do whatever.
Q10: WHY IS MY FAVORITE GROUP NOT A ENDORSER?
A10: Either politics or simply a lack of caring. You see, some people are
against change or are too simpleton to understand what's really at stake.
Lastly, rules shouldn't be handled by celebrities but rather by experts.
See "A07".
Q11: I AM A NUKER AND I BELIEVE ONLY IN V3.0.
A11: You've said it: you're a nuker. Therefore nobody cares. On a more
positive note however, rest assure than RIAA2012 was developed from the
ground up with your feedbacks too. Another first for a MP3 rule set.
Q12: BRING V3.0 BACK!
A12: RIAA2013 fully obsoletes v3.0 comes March 1st 2014.
Q13: ...BUT TOP GROUPS HAVEN'T SIGNED THIS RULESET?
A13: "Top groups" truly care about music and they believe in the right to
preview before purchasing. Further to this, "top groups" should strive
to fix things that they know are broken. Which we are attempting to do
with this rule set. Also, "top groups" adapt.
Q14: I DON'T BELIEVE IN CHANGING RULES...
A14: I don't believe in using electricity... Opinions are like assholes: we
all have one. For the sake of democratic however, your voice is, at
best, shared by 1/4th of the active MP3 scene. Should less than 25%
dictate for 75%? Maybe, at best, 25% think so. Welcome to the real
World...
Q15: COULDN'T THIS HAD WAITED LONGER TO GET MORE GROUPS' SUPPORT?
A15: Considering that RIAA2013 went final in December 2012 and was granted 1
full year of debating, we like to think that everybody had their chance
and were presented the project rightfully. We cannot, and will not, be
accountable for the MP3 Council's inaction and deliberated deaf ears on
our multiple requests to work with them.
Q16: ...BUT MP3COUNCIL?!?
A16: So if you're still part of the 1% of people asking about this you're
either trolling, arguing in bad faith and/or just plain stupid, as the
MP3 scene's only goal is to preview commercially available music before
making a decision on purchase. Evolve or die!
Q17: IS THIS THE END OF THE MP3 SCENE AS WE KNOW IT?
A17: No, this is only the end of the txt. After all what's being said,
remember that this is only about the rules. The opinions that were
expressed do not necessarily reflect the opinions of the groups that
signed them.
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules, ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
Rules:
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
0.0 INDEX:
1.00.RELEASING STANDARDS.
2.00.TECHNICAL STANDARDS.
3.00.HOW TO PACKAGE.
4.00.WEB RELEASES.
5.00.LIVE RELEASES (BROADCAST).
6.00.FLASH RELEASES.
7.00.DVD/DVDA RELEASES.
8.00.HD RELEASES.
9.00.FIXING METHODOLOGY.
10.00.TIPS AND TRICKS.
11.00.DIRTAGS GLOSSARY.
1.00.RELEASING STANDARDS:
1.01.Dupechecking is performed at the release level (for example, a
complete album or EP), not at the level of individual tracks within
a release. A lone single track identical to that found on an
existing scene release is not accepted as a single new release.
A new release is not a dupe of an old release if the new
release has different or more tracks; this holds true even if some of
the individual tracks are identical between the two releases.
Examples of relevant differences include, but are not limited to:
remixes, refixes, edits, and remastered versions of tracks.
Examples:
This is not a dupe...
AC_DC-Blackout_Evolution-CDM-2015-GROUP
01-ac_dc-suey_radio-group.mp3
02-ac_dc-suey_remix-group.mp3
03-ac_dc-suey_instrumental-group.mp3
04-ac_dc-suey_hardcoremix-group.mp3
05-ac_dc-suey_vocal-group.mp3
...Even if these two similar releases were already pred:
AC_DC-Blackout_Evolution-CDS-2015-GROUP1
01-ac_dc-suey_radio-group1.mp3
02-ac_dc-suey_vocal-group1.mp3
03-ac_dc-suey_instrumental-group1.mp3
AC_DC-Blackout_Evolution-CDS_REMIX-2015-GROUP2
01-ac_dc-suey_remix-group2.mp3
02-ac_dc-suey_hardcoremix-group2.mp3
03-ac_dc-suey_housemix-group2.mp3
Similarly, a release that is a superset of previous releases is not a
dupe. Therefore you can release this...
Burial--Street_Halo_Kindred_(BRC320)-CD-2012-CMC
01-burial-street_halo-cmc.mp3 06:47
02-burial-nyc-cmc.mp3 07:40
03-burial-stolen_dog-cmc.mp3 06:23
04-burial-kindred-cmc.mp3 11:28
05-burial-loner-cmc.mp3 07:30
06-burial-ashtray_wasp-cmc.mp3 11:45
...Even if those two were already released :
Burial-Street_Halo_EP-(HDB013)-WEB-2011-MPX
01-burial-street_halo-mpx.mp3 06:44
02-burial-nyc-mpx.mp3 07:38
03-burial-stolen_dog-mpx.mp3 07:15
Burial_-_Kindred_EP-(HDB059)-WEB-2012-LiR
04-burial-kindred-lir.mp3 11:28
05-burial-loner-lir.mp3 07:30
06-burial-ashtray_wasp-lir.mp3 11:45
This is a dupe...
AC_DC-Blackout_Evolution-CDS-2015-GROUP1
01-ac_dc-suey_radio-group1.mp3
02-ac_dc-suey_vocal-group1.mp3
03-ac_dc-suey_instrumental-group1.mp3
...if this was already released :
AC_DC-Blackout_Evolution-CDM-2015-GROUP2
01-ac_dc-suey_radio-group2.mp3
02-ac_dc-suey_remix-group2.mp3
03-ac_dc-suey_instrumental-group2.mp3
04-ac_dc-suey_hardcoremix-group2.mp3
05-ac_dc-suey_vocal-group2.mp3
1.02.You are only allowed to create a higher quality duplicate release for
an existing release that had a source of lower quality.
The priority is: Data Format > Medium.
Data Format priority:
LPCM stereo > DD+ stereo or E-AC3 stereo > LPCM 3+ channels >
AC3 (dolby digital) stereo or DTS stereo > Dolby TrueHD >
AC3 (dolby digital) 3+ channels or DTS 3+ channels (DTS-HD) > MPG
Medium priority :
BD or DVD or DVDA or DVDS or HDVD or SACD > HDDVDR or BDR or DVDR >
CDA or CD or CDS or CDM or CDA or CDEP > CDR > VL > WEB >
CD BOOTLEG > TAPE
Example:
If an LPCM stereo source becomes available where the previous rip only
had an AC3 source, you may create a duplicate release from the LPCM
source. Keep in mind that although the original AC3 source may have
been a Bluray or other advanced format, a LPCM stereo CD source will
take priority.
1.03.Depending of the stage of creation of a medium, it can be called
either RETAIL, ADVANCE or PROMO. The appropriate Extra dirtag is
determined based upon such factors as the track numbering scheme, the
physical package and comparison of the MP3 bitrate with that obtained
for previous iterations of the release.
Advances are mastered versions of studio album that resemble the final
store version but that may have a slightly different sound or even
different tracks included.
A promotional recording, or -PROMO-, is typically given away free to
broadcasters, DJs and journalists prior to the commercial release of
the music being promoted. Promos rarely have detailed tracklists,
liner notes or graphic packaging. Proof scans for promos need not
contain tracklists if they are not present. Promos may yield lower
bitrates upon compression than a -ADVANCE- or a -RETAIL- version of the
same tracks. It is also possible that all tracks may not have the same
sound amplitude (See 3.17-3.23).
Additional tags include -REMASTERED-, which reflects a sonically new
or different version of a release which is thus not a dupe.
-REMASTERED- should never be confused with -REISSUE-, which simply
reflects a previously out-of-print or hard to find recording becoming
available in a new edition. If the out of print recording has already
had a release, then a release of the -REISSUE- count as a dupe, unless
it features some real differences from the original version, like bonus
tracks.
The priority is REMASTERED > REISSUE or RETAIL >= ADVANCE > PROMO
Exceptions:
If a RETAIL album has been released and you have a different edition of
the same album (foreign/promo/advance/preorder/..) then it's allowed to
just release the different tracks and label it as -BONUS_TRACKS-.
However you cannot re-release the entire recording 90 days after the
initial scene release except if:
A. It's a 1 disc release and more than 50% of the tracks of your
version are not on the previous "retail" version.
B. It's a multi disc release and either more than 50% of the tracks or
at least 6 tracks of your version are not on the previous "retail"
version.
Example:
The advance pressings of Spiritualized’s Ladies and Gentlemen, We Are
Floating in Space album included some Elvis lyrics in the titular
track. Due to legal threats, the retail version ended up with a
remixed version with different lyrics. Advances are early drafts of
final studio albums and can sometimes yield a very minor difference in
bitrate upon compression, compared to the final retail version or other
versions that may be available. If both -ADVANCE- and -RETAIL- prove
to contain the same content and length and the only difference is the
proof scan, then -ADVANCE- also counts as -RETAIL-.
1.04.The tracks of a release must all be from the same source and have the
same quality/cbr-bitrate/vbr-setting/encoder/setting (Exception: FLASH
releases and WEB with screenshots of purchase; these sources have
repeatedly been shown to contain files created by multiple encoders).
Taking tracks from other sources to release yourself is strictly
forbidden. This prohibition explicitly includes non-purchased lossless
sources; if you don’t have access to the original media, then don't
bother releasing it as you can’t release a fix if needed, and that’s
not acceptable.
1.05.Every scene releases must be allowed to be spread on scene sites and
to get indexed in dupechecks. Groups that dont allow their affils to
spread the releases are allowed to be duped without nuke.It is
however not allowed to repackage the original site-restricted invalid
release and claim it as yours.
1.06.Self-made(*) is not allowed.
*=A self-made is when you select tracks from various different sources
and release them as new.
2.00.TECHNICAL STANDARDS:
2.01.For ALL sources which need encoding you must use LAME v3.99.5
with preset V0 ("-V0") only.
2.02.A proper LAME header is required for retail mediums.
Example:
http://gabriel.mp3-tech.org/mp3infotag.html
2.03.The source sampling rate must either be of 44.1KHz or 48KHz and no
upsampling or downsampling is allowed.
2.04.ID3 headers shall have no images inserted in them.
2.05.All MP3 files need both an ID3 v1.1 and v2 tags. ID3 tags must
include the Artist, the Title and the Album. It is not allowed to use
"VA" as the Artist name. The fields "Year", "Genre" and "Tracknumber"
must also be filled but a release may not be nuked if those are filled
incorrectly.
2.06.Multi channel audio is not allowed and you need to downmix the source
tracks to stereo (2 channels). It is good form, but not required, to
give some details about the downmixing process in the release’s .NFO.
Groups are encouraged to release AC3 multichannel rips as INTs where
there is a compelling musical interest to do so (for example, 5.1 mixed
versions of albums from the Flaming Lips, Beatles, Meat Beat Manifesto
or the live 5.1 mix from NIN’s Beside You In Time Blu-ray).
3.00.HOW TO PACKAGE:
3.01.Both an .SFV and an .NFO file are required for every release.
3.02.Maximum directory+filename-length is 255 characters.
3.03.Allowed characters are a-z A-Z 0-9 _ . - ()
3.04.Directory name must, at minimum, contain:
Artist - Title - Source - Published Year
3.05.Directory names can contain:
Artist - Title - Special(*) - Additional Comments (**) - Cat Nr -
Source(***) - Language - Radio Station - Published Year - Group
*=ADVANCE, AUDIOBOOK, BONUS, BONUS_TRACK, BOOTLEG, CLEAN, CUE_FIX, DEMO,
DELUXE, DIRFIX, EDITION, EXTRA, FANCLUB, LIMITED, LIVE, MAG, MAXI,
NFOFIX, PROMO, PROPER, PROOFFIX, READ_NFO, REISSUE, REMASTERED,
REPACK, RERIP, RETAIL, SPLIT, SAMPLER, SNIPPET, TRACKFIX. This list
is not exclusive.
**=Any extra information about the release.
You can only use ONE Source per directory name.
Examples:
AC-DC-Blackout_Evolution-RETAIL-CD-2015-GROUP
AC_DC-Blackout_Evolution-CDS-2015-GROUP2
AC_DC-Blackout_Evolution-SAT-2015-GROUP3
AC_DC-Blackout_Evolution-PROMO-CDR-2015-GROUP4
AC_DC-Blackout_Evolution-PROMO-EXTRA-K7-2015-GROUP5
***=AM, AUD, BD, BDR, BONUS_CD, CABLE, CD, CDA, CDEP, CDM, CDR, CDS, DAB,
DAT, DLC, DVBC, DVBS, DVBT, DVD, DVDA, DVDR, DVDS, FLASH, FM, HDDVD,
HDDVDR, K7, LINE, LP, MCD, MD, MLP, SACD, SAT, SBD, TAPE, VINYL, VLS,
VL, WEB (See 11.0).
3.06.If any extra packaged material that came bundled with any medium
is released it should be released as is and untouched, unless it is a
lossless music format, in which case it must be encoded using the
official standard. Extra packaged material must be tagged as either
-BONUS-, -EXTRA- or -DLC-, be compressed in .RAR and contain a .SFV.
3.07.All bootleg(*) and mixtape releases must be tagged as -BOOTLEG-.
*=A bootleg recording is any medium that was not officially released by
the person/company owning the rights to do so. Bootlegs in the classic
sense of being recorded live at a concert need an additional source
tag, like –AUD- for an audience recording, or –SBD- for a soundboard
recording.
3.08.Independently released music is done by an artist without a label (or
with his own small label) and is not a -BOOTLEG-.
3.09.If you release a medium that was supplied from a magazine or via any
other print media (book/newspaper/etc) then you must tag it -MAG-.
3.10.The directory name of an INTERNAL release must end with _INT.
Internals are not subject to nuking, and as such groups can do as
they please in this regard (eg: higher bitrates/multichannels/etc)
Example:
AC_DC-Blackout_Evolution-CD-2015-GROUP_INT
3.11.If the publication year is nowhere to be found on the medium or
online then an approximation to the best of the ripper’s knowledge
is allowed.
Example:
You get a CD without release year information available on the
packaging or online. You do know for a fact that it was pressed
between 2000 and 2009 and there are several sources that back this
date range up. In this case it's allowed to tag the release as
-200X-. If it could have been pressed either in the 1900s or in the
2000s, such as the range between 1995-2005, then it's allowed to tag
the year as -XXXX-.
3.12.Filename must at least contain:
Track Number - Song Title
If it's an album with different artists (one artist per track) then
you must add the artist name as well ("VA-tracks" like mixes don't
need artist names). The song title for the filename must include
the full title as it's written on the cover/cd/inlay with all
additional information (remixed/features/etc), subject to filename
length limitations. Common abbreviations are acceptable (feat. for
featuring, for example).
Exception:
If no tracknames are supplied by the source (CD/VLS/etc) then you
must provide evidence that these tracks have no names, such as a
discogs.com link. If these "untitled tracks" are part of a big mix
(no silence between the "tracks") then it's considered as one track
and you must rip it as one MP3/CUE and title it the same as the
"album".
3.13.Typos are not tolerated in artist name or album title fields. Other
typos (in tracknames/ID3/etc) are only tolerated if they are minor
(less than 10%) and only if the dirname is 100% correct (Artist and
Title). If a "typo" was on the original medium and you can proove
this then it doesn't count as a typo. See rule 3.30 for more on
retail defects.
3.14.A release with an apparently incorrect Year or Language may not be
nuked. However a -DIRFIX- is strongly recommended.
3.15.It's not allowed to use more than one successive dot (.) for naming
directories and/or tracknames.
Examples:
AC_DC-Blackout_Evolution...Encore-CD-2020-GROUP => Not allowed
AC_DC-Blackout_Evolution___Encore-CD-2020-GROUP => Allowed
3.16.Split(*) releases need to be tagged as -SPLIT-, not VA or a
combination of both. Please note that if a release isn't
specifically labelled as VA (by the industry) it needs to be tagged
as -SPLIT-. Also, a release cannot be nuked for being VA -SPLIT-.
*=A -SPLIT- release is when two or more artists use the same medium to
release their own standalone content. There are split albums, singles
and EPs. It is considered a -SPLIT- if there are up to 4 artists.
Anything else with more than 4 artists should be tagged VA. As a rule
of thumb, a –SPLIT- release will include several tracks from each of
just a few artists, in contrast to a VA release which will have many
artists with only one or two tracks each.
A suggested tagging alternative is to use two dashes in between the
artist and the album so you can use the single dash to separate the
different artists from one another, the dash being the divider.
Example:
"Artist1-Artist2-Artist3--Album_Name1-Album_Name2-Album_Name3-
SPLIT-2012-GROUP"
instead of
"Artist1_Artist2_Artist3-Album_Name1-Album_Name2-Albume_Name3-
SPLIT-2012-GROUP"
3.17.All releases from a physical medium must include a proper Proof. A
proper Proof means a clear and recognizable scan or photo made with
a resolution of at least 800*600 (or 600*800) pixels of the physical
medium together with the cover or a booklet page from as close as
possible so the Proof can be identified.
It's allowed for vinyl proofs to just show the record in the proof
without showing the paper sleeve.
3.18.A proof must be unique. What that means is that you are not allowed
to re-use or edit a proof coming any non-MP3-scene source. You need
to generate your own proof.
Exception:
If a mp3 release is made from a sister group’s(*) release, the
sister group’s proof may be recycled.
*=A "sister group" is the same group name that expanded into another
Section eg if –ABC has the sister group –ABCFlac.
Example:
Group -ABC can recycle group -ABC-HD’s proof.
3.19.If the medium or cover/booklet contain anything that may expose your
identity then it can be hidden/cut off. Keep in mind that some
blurring tools may not be secure.
3.20.Any upscaling of images or any modification (such as adding
black/white bars) to meet the size requirements is not allowed.
3.21.If your release contains multiple media and each item is clearly
numbered then you are allowed to only add one of the media in the
proof.
Example:
Artist-Album-15CD-Year-Group
Each CD is clearly labeled "CD1/CD2/etc/CD15" then you can provide
Proof of only CD4 with a cover/booklet in the Proof scan/photo.
3.22.Booklet scans are welcomed but optional and do not count
as sufficient proof.
3.23.For -PROMO- you need to have your group name on a paper and have it
placed on the medium so both are clearly visible in the Proof.
3.24.All MIXED/LIVE CDDA(*) need to be ripped as one track with a .CUE with
the Artist and the Tracknames in the .CUE. If this data is not
available, you need to label them as Unknown and Untitled and provide
evidence that this is indeed the case.
*=MIXED/LIVE CDDA means a medium without silence between the "tracks".
It is also strongly encouraged to name the .CUE file accordingly to
the .MP3 file and also make sure that the path inside the file points
to the corresponding .MP3
Lastly, a .CUE file is not allowed if your medium contains just one
track, unless there is some compelling technical reason such as
presence of extra index points as per red book standard.
3.25.If a medium has no information about it available then you are allowed
to use BOTH the Label AND the Cat Number as the name of the release.
If there is only one artist on the vinyl/CD then you must add the
name of the artist.
Example:
My_Music_Records-MMR941.02-CD-2012-GROUP
3.26.If you have a retail Source and it was pressed with a defect/skip
then you are allowed to release it given that you package it with
-READNFO- in the dirname and that everything else is proper
(Proof/Encoding/etc). Obviously, the .NFO must contain information
concerning the nature of the defect.
3.27.EPs in CDDA format should be packaged as -CDEP-.
3.28.Audiobooks(*) need to be tagged as -AUDIOBOOK-.
*=Audiobooks are spoken versions of books that can span one or multiple
media, generally CDDAs. More often than not there is no music on
audiobooks; it's just a narrative spoken story.
3.29.Any extra packaged material that came bundled in with any medium needs
to be released as is and untouched, unless they are lossless, in which
case they need to be encoded using the official standard. Extra
packaged material must be tagged as either -BONUS-, -EXTRA- or -DLC-,
be compressed in .RAR and contain a .SFV.
3.30.A -SAMPLER- is made up of several full songs from an upcoming album
while -SNIPPET- is used to tag previews of songs.
Examples:
Burial--Street_Halo_Kindred_(BRC320)-CD-2012-CMC
01-burial-street_halo-cmc.mp3 06:47
02-burial-nyc-cmc.mp3 07:40
03-burial-stolen_dog-cmc.mp3 06:23
04-burial-kindred-cmc.mp3 11:28
05-burial-loner-cmc.mp3 07:30
06-burial-ashtray_wasp-cmc.mp3 11:45
Burial--Street_Halo_Kindred-SAMPLER-2011-CMC
01-burial-street_halo-cmc.mp3 06:47
02-burial-loner-cmc.mp3 07:30
03-burial-ashtray_wasp-cmc.mp3 11:45
Burial--Street_Halo_Kindred-SNIPPET-2012-CMC
01-burial-street_halo-cmc.mp3 00:47
02-burial-nyc-cmc.mp3 00:40
03-burial-stolen_dog-cmc.mp3 00:33
04-burial-kindred-cmc.mp3 00:28
05-burial-loner-cmc.mp3 00:56
06-burial-ashtray_wasp-cmc.mp3 00:45
4.00.WEB RELEASES:
4.01.The -WEB- tag must be used for releases that are available to
purchase in webshops(*). At the time of writing, webshops are
currently the most common method of distributing music online.
But it can also, but not exclusively, be bundled in as bonus/extra
material on any physical medium.
*= Webshop means a place where you can "Add to cart" and "Checkout" and
which isn't fuelled by illicit and/or obscure music connections.
Valid webshops are endorsed by the music industry.
4.02.Encoding priority is:
VBR (WAVSRC(-V0)) or 320CBR > VBR > 256CBR > 224CBR > 192CBR
Any superior quality supersedes any lower quality for a period of 90
days (3 months) after pre date. When releasing a higher quality
version of a rip, it needs to be tagged as -READNFO- and the .NFO needs
to explicitly state the difference(s) and/or reason(s) why there is a
newer release.
Examples:
192CBR released in May 2013 => you can release 256CBR in June 2013.
VBR released in June 2013 => you can release VBR -V0 in July 2013.
VBR -V0 or 320CBR released => you cannot release any other version.
4.03.You need to include the valid URL of the webshop(*) from which you
purchased your release in the .NFO. You cannot specify any address
where the tracks are free for download for everyone without being
charged.
4.04.If your webshop purchase was in a lossless format (such as .WAV) then
you must convert it to MP3 (See 4.2). Conversion to MP3 from any lossy
source is not allowed.
4.05.-WEB- releases containing MP3s encoded by multiple different encoders,
as demonstrated by inspection of the MP3 header, are only allowed if
you provide proof that the original online retail source is selling
the release in this way.
4.06.If a digital (-WEB-) release comes out with a physical medium (or vice
versa) then it's allowed to make a proof scan of the medium alongside
the download paper that came bundled with it. You are also allowed to
blur a portion of the download path so long as the rest of the URL
and the medium can be clearly identified.
4.07.It's not allowed to release -WEB- rips with skips/defects in them.
You can however release them as internals.
5.00.LIVE RELEASES (BROADCAST):
5.01.The source priority is:
DAT or LINE or SBD > CABLE or DAB or DVBC or DVBS or DVBT or SAT >
terrestrial radio (AM/FM) > WEB > AUD
5.02.The set must be complete from the intro to the outro. If there were
broadcasting glitches then it is suggested that you do not release it
or do it as INT.
Exceptions:
If your release has extra material that is part of the original show
but that was aired after the outro (such as encores) and this "extra
segment" is at least 5 minutes long then you are allowed to rerelease
the whole show as -READNFO-, not as -PROPER-.
5.03.If a show has already been released (e.g. another name, but the mix is
the same), no dupe of that same show is allowed. If the show is
included in another release (for example, as a guest mix), then it is
neither allowed.
5.04.If a show, containing a guest mix, is a partial dupe (either the
regular part of the show, or the guest mix), it is allowed to release
them both as a set. However, it is encouraged to release only the new
part if the other part is available in equal or better quality,
denoting in the nfo why the other part was omitted.
5.05.If a show contains the broadcast of a commercially released CD then
you may not release it unless the CD was not already released.
5.06.All commercials must be removed.
5.07.DJ talk can be included to a certain extent: track announcements and
short lines from the DJ should not be removed; interviews and other
long talk needs to be removed. You can however -WEB-BONUS- it.
5.08.It is encouraged to fade-in and fade-out the set. However, lack of
fades does not constitute a reason for releasing a -PROPER-.
5.09.Straight-to-MP3 encoding is allowed, but discouraged as the header of
the MP3 file must be correct at all times.
5.10.Downsampling to 44.1 or 48KHz is allowed (if source is better).
Upsampling to 44.1KHz or 48KHz from a weaker source is not allowed.
5.11.Live recordings of concerts (not from broadcast) typically require a
tag for source (SBD/LINE/AUD) as well as the -BOOTLEG- tag. -AUD-
reflects a recording made using microphones situated in the audience
area. The .NFO should give as many details on recording hardware and
mastering methodology as possible.
6.00.FLASH RELEASES:
6.01.If your medium contains a version in a lossless format then you are
required to release that as -FLASH-.
Example:
Your flash drive contains both a .MP3 and a .WAV release. You need to
release the converted .WAV version.
6.02.If the FLASH medium contains multiple formats (e.g. 10 tracks WAV and
a DJ MIX MP3) it is allowed to release it as one release with mixed
VBR/CBR and multiple encoders.
6.03.Proof is also required and is subject to the same rules as retail
(See 3.17-3.23).
6.04.Codec of source (MP3/PCM(WAV)/etc) is required in the .NFO.
7.00.DVD/DVDA RELEASES:
7.01.Priority of audio track source is:
1. PCM stereo (doesn't matter if DVDA or CDDA quality)
2. PCM 3+ channels
3. AC3 (dolby digital) stereo or DTS stereo
4. AC3 (dolby digital) 3+ channels or DTS 3+ channels
5. MPG
Examples:
DVD contains AC3 5.1 and AC3 2.0 => you must rip the AC3 2.0 tracks
DVD contains PCM and AC3 2.0 => you must rip the PCM tracks
DVD contains MPG and AC3 2.0 => you must rip the AC3 2.0 version
7.02.If tracks are available in several audio formats then you must use the
"best" version (See 1.2).
7.03.Normalizing the sound volume is allowed but optional; it is encouraged
that you document normalization status in the .NFO.
7.04.Additional .NFO information required includes:
- Codec of source (AC3/PCM/MPG/DTS/etc),
- Number of channels of source (2.0/2.1/5.1/etc)
7.05.By default a DVD's sound is *NOT* DVDA, (sometimes written asDVD-A or
DVD-audio). DVDA is a high fidelity audio format that is distinct
from the audio associated with a regular video DVD. Groups are
encouraged to release true DVDA as internal .ISO files, to preserve
full fidelity.
8.00.HD RELEASES:
8.01.The source priority is
DVDA > SACD > BD > HDDVD > DVD or DVDS > HDDVDR > DVDR
8.02.A HD DVD/BD concert recording release must contain the complete set
of music tracks from the concert. Additional tracks
(interviews/videos/bonus/etc) are optional. If those extra tracks are
not included then any other group can release them as -EXTRA-
8.03.HD DVD and BLU-RAY video clip releases should be ripped as multi track
release keeping original tracklist (not .M2TS sequence).
8.04.If tracks are available in several audio formats then you must use the
highest bitrate lossless source track.
8.05.For a DTS HR/HD MA track you need to extract the DTS core.
8.06.Multi channel audio is not allowed. Always downmix source tracks to
stereo (2 channels) if a native stereo version is not available. It is
good form to include details on your downmixing procedure.
8.07.Downsampling to 44.1 or 48KHz is allowed (if source is better).
Upsampling to 44.1KHz or 48KHz from a weaker source, however, is not
allowed.
8.08.Normalizing the sound volume is allowed but optional; please document
normalization status in .NFO.
8.09. .CUE file made from source chapters should always be included with
the final release package.
8.10.Additional informations required in .NFO (See 10.3) :
- Codec of source (AC3/DD+/PCM/MPG/DTS/DTS-HD/Dolby TrueHD)
- Bitrate of source (448/640/768kbps/1536kbps/etc)
- Number of channels of source (2.0/2.1/5.1/etc)
9.00.FIXING METHODOLOGY:
9.01.Only one trackfix per release is allowed. If the release needs a
second trackfix or more than 50% of the tracks need a fix then you
must re-package the whole thing.
--> A 1-track fix for a 2-track release is allowed (=50% and not
"more than 50%").
9.02.If you release a dirfix then the dirname of the problematic release
must be listed in your .NFO file.
9.03.Following your release getting nuked, you have:
- 7 days to fix for typos and wrong dirnames
- 2 days to fix for missing proof, technical flaws (skips, wrong
encoder)
After grace period any other group is allowed to -PROPER-. It's also
allowed to proper even if a release wasn't nuked just as long as the
reason for propering is clearly stated in the .NFO. In which case
it is suggested to tag as -READ_NFO-.
9.04.It is not allowed to -DIRFIX- a given release more than once and you
cannot -PROPER- a -DIRFIX-.
9.05.For -WEB-, if your trackfix comes from a different webshop than the
original release then you need to mention it in the NFO while also
supplying the new webshop URL.
10.00.TIPS AND TRICKS:
10.01.Make sure that your filenames are unique otherwise some sites might
dupeskip. This type of mistake doesn't make a release worthy of a
nuke, however. This problem often arises with the
"unknown - untitled" tracks scenario.
10.02.Wipe EXIF data from your proof scans/photos using your favourite
freeware.
10.03.For finding the Codec source of DVD/BD/etc we suggest using :
http://mediainfo.sourceforge.net/en
10.04.The audio of a normal video DVD is *NOT* DVDA! The audio of a DVD
usually is MP2/AC3/DTS compressed (lossy) while the audio of a real
DVDA is high quality PCM (lossless, e.g. 24bit/192KHz) and/or
multichannel.
To properly rip true DVDA you can use :
http://www.pazera-software.com/products/audio-extractor/
10.05.Even if the Language and/or the Cat Number are not required in the
dirtag they are strongly encouraged.
10.06.At the time of writing this, those webshops are known for sometimes
supplying their tracks encoded with multiple encoders :
http://www.junodownload.com/
http://www.indiegala.com/
One way to find out if your release was encoded by multiple encoders
is to use a program such as truelame.exe
10.07.Even if not required, it is strongly encouraged that dirnames should
always begin with a letter or number to avoid spreading issues.
10.08.When taking more than 24h to fix a release it's best to -REPACK- (or
-RERIP- depending on the case) as some sites purge nuked releases
after that period of time.
10.09.Even if typos are slightly tolerated (See 3.13-3.14) it is strongly
suggested that you put extra effort into finding and correcting them
when packaging.
10.10 Even if the .M3U is not required with the release it is strongly
encouraged to provide it.
10.11.For converting to WAV we suggest using Free Audio Converter
(AKA FRE:AC) at http://www.freac.org/
11.00.DIRTAGS GLOSSARY:
11.01.Valid physical sources dirtags are:
-BD- [BLU-RAY DISC *PRESSED*]
-BDR- [BLU-RAY DISC RECORDABLE]
-BONUS_CD- [CD ADDITIONAL *PRESSED*]
-CD- [CD OTHER *PRESSED*]
-CDA- [CD ALBUM *PRESSED*]
-CDEP- [CD MINI-ALBUM *PRESSED*]
-CDM- [CD MAXI *PRESSED*]
-CDR- [CD-RECORDABLE]
-CDS- [CD SINGLE *PRESSED*]
-DVD- [DVD *PRESSED*]
-DVDA- [DVDA]
-DVDR- [DVDR]
-DVDS- or -DVD- [DVD VIDEO SINGLE *PRESSED*]
-EXTRA- or -BONUS- or -DLC- [EXTRA BONUS CONTENT]
-HDDVD- [HD DVD *PRESSED*]
-HDDVDR- [HD DVD RECORDABLE]
-LP- or -VINYL- [VINYL ALBUM]
-MCD- [MINI CD]
-MD- [MINIDISC]
-MLP- [MINI VINYL]
-SACD- [SACD]
-SAMPLER- [ALBUM PREVIEW]
-SNIPPET- [TRACK PREVIEWS]
-TAPE- or -K7- [ANALOG TAPE/CASSETTE]
-VL- or -VINYL- [VINYL OTHER]
-VLS- or -VINYL- [VINYL SINGLE]
11.02.Valid live sources dirtags are:
-AM- [AM ANALOG RADIO]
-AUD- [DIRECT LIVE RECORDING FROM THE AUDIENCE]
-CABLE- [ANALOG CABLE]
-DAB- [DIGITAL AUDIO BROADCAST]
-DAT- [DAT TAPE]
-DVBC- [DIGITAL VIDEO BROADCAST CABLE]
-DVBS- [DIGITAL VIDEO BROADCAST SATELLITE]
-DVBT- [TERRESTRIAL DIGITAL VIDEO BRAODCAST]
-FM- [FM ANALOG RADIO]
-LINE- [DIRECT RECORDING BY THE RIPPER FROM SOUNDBOARD/MIXER
THROUGH THE LINE-IN INTERFACE]
-SAT- [ANALOG OR DIGITAL SATELLITE]
-SBD- [RADIO STATION OR DJ RECORDING **NOT A WEBSTREAM**]
11.03.Valid digital sources dirtags are:
-WEB- [PRE-COMPRESSED MP3 FILES FROM A MEDIUM]
-FLASH- [FLASH MEDIUM : SLOTMUSIC/COMPACSTICK/ETC]
11.04.Valid other source dirtag is:
-BOOTLEG-
11.05.Unallowed sources are:
-FREE- [ANY FREE]
-STREAM- [FREE WEBSTREAM]
11.06.Valid fixing dirtags are:
-CUEFIX- When a group failed to properly package the .CUE file and
rereleases a missing or incorrect .CUE file as standalone.
-DIRFIX- When a group failed to properly package a directory name
and rereleases it as standalone.
-NFOFIX- When a group failed to properly write a NFO file and
rereleases it as standalone.
-PROOFFIX- When a group failed to release a proper proof they need to
use this dirtag to correct their fault.
-PROPER- When a release gets nuked (bad tag, bad rip, no proof, etc)
and another group propers it, they -PROPER- it.
-REPACK- When a group failed to package correctly (ID3vx/missing
tracks/mislabeled/etc) the *SAME* group repacks their nuked
release.
-RERIP- When a group failed to rip properly (clipping, cut off/
incomplete tracks/etc) the same group rerips their nuked
release.
-TRACKFIX- When a group failed to release all tracks properly and
rereleases only the fixed tracks as a standalone fix.
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
RIAA2013 active since 2014-01-01, signed by:
1KING, B2R, BF, BOSS, CBR, CMC, CRUELTY, D2H, DGN, dh, DJ, DPS,
EiTheLMP3, FKK, FMC, G4E, GCP, gF, HB, HFT, HQEM, iTS, JiM, JUST,
JUSTiFY, KOPiE, LFA, mbs, MnD, MOD, MST, MTC, NOiR, NRG, OGV, OMA,
ONe, RAC, RAiN, SC, SDR, SiBERiA, TALiON, TSP, uC, UKHx, UKi, USF,
VOLDiES, VOiCE, wAx, WLM, WUS, wWs, XXL, YARD, YOU & ZzZz.
Complimentary signatures:
ALKi, ATM, ATR, Bacardi, diss, EViGHET, iDM, iMPG, kHz, LOGOS, MS,
0MNi, PoS, Q17, SYN & TrT.
[U]Tools:
02.01-lame3.99.5-x64.rar
02.02-Mp3 Info Tag revision 1 Specifications.htm
10.02-MorGoTHs_v351.txt
10.02-MorGoTHs_v351.zip
10.03-MediaInfo_GUI_0.7.65_Windows.exe
10.04-Pazera_Free_Audio_Extractor.exe
10.06-TrueLameVersion_v0.2.0.rar
oprogramowaniem) obowi±zuj±ce od 1 stycznia 2014 przy tworzeniu wszystkich relków scenowych z muzyk±,
dlatego my¶lê, ¿e warto, ¿eby ka¿dy kto interesuje siê scen±, zapozna³ siê z nimi przed ich wej¶ciem w ¿ycie :)
Official_MP3_Releases_Rules_4.0-2013-RIAA2013
[ Official MP3 Release Rules ]
RELEASE DATE: 2013-12-24
VERSION: 4.0
START DATE: 2014-01-01
NOTES:
The latest official MP3 rules.
Main changes:
- Supports LAME v3.99.5 which includes several enhances and bug fixes.
- Prioritizes vinyl over WEB.
- Introduces "sorted.by.source" for PSZ-NG.
- Allows conversion from lossless WEB.
- AND MORE! (Read FAQ.TXT -> A04)
A poni¿ej ca³a zawarto¶æ archiwum, oraz na koñcu do pobrania samo oryginalne scenowe archiwum.
Welcome:
Dear MP3 scene,
For much too long have we been looked down upon as being thoroughly
inconsistent alongside highly retarded in what are known as our releasing
standards. Now time as finally come for us to bid farewell to our collective
ruling inability and embrace what shall forever be known as the most brilliant
polished set of MP3 scene rules to ever see the day.
Consumerism evolves and so is the music industry. For the ones not knowing
already, the purpose of the scene is for us, taxpayers, to have a way of trying
before purchasing. Over the last decades digital assets expanded from
softwares up to all of the various formats currently in circulation.
The MP3 scene should always remain the prime source of previewing commercial
music but for it to happen we need to not fail to adapt with technology.
With that being said, it is with great honour (and after many many moons of
intensive work) that we are finally introducing the RIAA2013 AKA v4.0 which
is what the MP3 scene had been demanding for far too long ago.
To the many ignorant people out there who claim to know the scene, in our
infancy MP3 releases weren't packaged with SFVs nor did they contained a full
set of tracks. No, the first MP3 singles that terrorized PC speakers were
extracted at 1x and encoded with Fraunhofer at a breathtaking 112CBR. That
process would be taking the full work day for 1 full album to be digitalized.
Back then, releases didn't leave the group's HQ unless the demand for it was
very high.
Some people then decided it would be best to add a SFV and also upper the
encoding quality which sparked up the APC/RNS era. As the MP3 scene wasn't
so vast back then, major groups upgraded releasing standards by teaming up
together and work as "RIAA" in order to focus on music and the MP3 format.
In 1998, dupechecks were all issued on 1 central source. That source also
supported the work done by the RIAA alliance, therefore helping it to strive.
By then 160CBR was king and so were CDs alongside LAME v3.97. No doubt were we
in the golden age of the MP3 scene and when MP3 Council arrived on the scene to
release the much acclaimed v1.0 a couple of years later, the evolution of the
format kept on being made and positive changes applied collectively.
Some years later, that central dupechecking system got buried for good and a
lot of confusion then followed suit. With such a setback a lot of people got
scared touching anything and started embracing the feeling of numbness which is
still somewhat vastly inhabiting the whole MP3 scene up to this very day.
By then the golden age of MP3 was over and v3.0 was rushed out in order for
MP3 Council to keep their grasp on the rules and keep the scene calm and
orderly. But that didn't happened. That rule set was in fact the one that
received the most controversy ever alongside nobody had still bothered
to translate the full thing to English! Let's also mention that v3.0 failed
to bring any sense of needed, nor requested, changes. As the errors were
rolled out, again, all of the inconsistencies that plagued us were still very
well present. At that point most of the serious players knew MP3 Council had
failed us all quite miserably.
Over the courses of the next couple of months, many groups tried reopening
the rules for discussion and debating but it came to no avail. MP3 Council
just didn't cared anymore and FLAC was born out of the inability of MP3 Council
to apply any true changes.
After that, individuals who genuinely cared for the quality of MP3 finally
banded together and started rebuilding v3.0 from the ground up. For well
over 18 months, we have asked every group, actives and/or experienced, to
supply us with their feedbacks and ideas to improve the rules. For the first
time in several rules revision, most of the seasoned rippers have
over-challenged what was known as the suckiest set of rules in order to make
it shine like nobody could have, but music lovers!
At this point we encourage you to get used to our work as we're sure that
you will find them much more clearer, understandable and English than ever.
Also, RIAA2013 brings the sense of frenchness we have been needing for a while
now in our dear Underground.
Lastly, as we try not judging people living in caves, we will tolerate v3.0
compliant rips for 2 months after January 1st. And we are aware that even
though some signatures might be missing, that it still doesn't change anything
to the fact that this rule set is the most loved revision ever. Alongside
serious.
Enjoy RIAA2013 as it's now time to focus back on music and bring respect
back to .MP3!
GREETS:
Everybody who helped in the last 2 years to make this rule set the most perfect.
Even if you chose to remain silent. Thank you!!!
"First they ignore you,
then they laugh at you,
then they fight you,
then you win."
--Mahatma Gandhi
************************************************** *****************************
TL;DR:
************************************************** *****************************
In what is a first for the MP3 community, experienced and seasoned MP3 rippers
representing groups ripping more than 2/3rd of all yearly MP3 releases have put
their personal differences asides and brewed up the most flawless and sexy set
of MP3 rules yet! Uniquely, this new set of rules was not based on politics but
rather based on getting music to the listener most effectively, regardless of
source or format.
Goes into effect: Jan 1st 2014 and v3.0 is accepted until Feb 28 inclusively.
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules, ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
FAQ:
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules, ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
************************************************** *****************************
FAQ:
************************************************** *****************************
Q01: WHAT IS THIS?
A01: RIAA2013 is the most debated rule set ever that incorporates close to a
decade’s worth of pending feedbacks to improve the current MP3 rules.
That feedback not only come from MP3 Council members themselves but were
also then debated by more seasoned rippers. Adding several other points
from groups having experience with ripping more than 1 source.
Q02: WHY SHOULD I CARE?
A02: As a releaser, you can now release any commercially available music
with clear guidelines on how to do so.
As a listener, you will finally get properly, bug-free MP3s encoded from
an encoder that has been stable for well over 18 months.
As a nuker, you will finally have a clear idea of what the hell you're
suppose do be nuking!
As a siteop, you will have to upgrade PSZ-NG in the near future to support
the new "sorted.by.medium".
As a hater, you can hate.
Q03: WHY 2 RULESETS?
A03: It's always impossible to not update scene rules and MP3 scene rules
haven't truly been updated for 4 years. Based on the amount of support
and intelligent debate this as received, RIAA2013 properly obsoletes
"Official MP3 Release Rules 3.0" as the most efficient and intelligent.
Q04: THIS IS E-X-A-C-T-L-Y LIKE THE CURRENT RULES, WTF?
A04: No doubt we have tried to remain as faithful to the original MP3 rules as
we possibly could however several changes were in order so we had to build
a "new" layout which also gave an index for your reading pleasure.
Here are some of the key points of RIAA2013:
* Focusses on music.
* First rule set written 100% in English.
* Supports LAME v3.99.5 which includes several enhances and bug fixes.
* Prioritizes vinyl over WEB.
* Introduces "sorted.by.source" for PSZ-NG.
* Recognizes encoder priority.
* Allows conversion from lossless WEB.
* Recognizes 48KHz superiority (AKA SACD).
* Thoroughly covers all media that any ripper has ever released.
* Genuine defects for retail have been considered.
* Introduces intelligent nuking.
* Most debated rule set ever.
* Every group who has signed the rules actually has read them.
* AND MORE!
Q05: MY GROUP RELEASES ONLY RETAIL CD, THIS IS USELESS.
A05: Thanks for actually reading "A04".
Q06: MP3 COUNCIL OWNS THOSE RULES, YOU DO NOT. YOU CAN'T CHANGE THEM!!!1!
A06: It's a well known fact that MP3 Council is now pretty much defunct. On
top of that, most of what's left of it either lives in fear of getting
dropped from some top sites (AKA politics), just doesn't care or is
already supporting RIAA2013! But don't take our word for it, read what
some had to say about it:
<1> we are not interested in change rules
<2> they pretty much said let the web groups duke it out.. they like the
way it is now
<2> they are old school
<3> i care less for this rules
<3> dude, no one cares.
<4> my people dont care, so as i told you before, dont count with our
backing up, we are all old farts no patience for rules and politics...
<4> read and they dont care
<4> the same way they dont care about FLAC...we just dont have time or
patience towards the scene itself
<4> just let us,,,droll in our corner
<5> we've been talked before, you've figure by now that I have zero
interest in all that reading stuff
<5> don't have much time for scene this days not to mention all those .docs
is plain waste of time atm
Also, nobody "owns" rules. The clear majority of active people is
interested in improving them.
Q07: WHAT IS RIAA2013?
A07: RIAA2013 is a collective of groups that have extensively exchanged ideas and
debated the current set of rules. Our collective ripping
experience by far exceeds what most groups think they know, as our daily
activities combined are accountable for most of the MP3 releases that are
out there. RIAA2013 is about fixing most of the annoyances that have
plagued us for so much time now. All in all, we come from all different
walks of the MP3 scene and have managed to put our differences aside in
order to fuse only the best of our ripping knowledge into what shall be
forever known as the most perfect MP3 rules ever!
Q08: I'M FROM MP3 COUNCIL AND I DON'T AGREE WITH THIS.
A08: By looking at the list of endorsers, which is the biggest ever and which
contains most of the seriously active groups dealing in MP3,
you probably will come to see several of "your" MP3 Council who support
RIAA2013. That's weird! Not only that, but most of the groups who
endorsed RIAA2013 are also much more older and experienced than most of the
groups who have pushed for v2.0 and v3.0. Lastly, if you're living with
your parents and are talking for MP3 Council then you hold no power.
Q09: MY SITE WON'T ALLOW THIS.
A09: It's your site so do whatever.
Q10: WHY IS MY FAVORITE GROUP NOT A ENDORSER?
A10: Either politics or simply a lack of caring. You see, some people are
against change or are too simpleton to understand what's really at stake.
Lastly, rules shouldn't be handled by celebrities but rather by experts.
See "A07".
Q11: I AM A NUKER AND I BELIEVE ONLY IN V3.0.
A11: You've said it: you're a nuker. Therefore nobody cares. On a more
positive note however, rest assure than RIAA2012 was developed from the
ground up with your feedbacks too. Another first for a MP3 rule set.
Q12: BRING V3.0 BACK!
A12: RIAA2013 fully obsoletes v3.0 comes March 1st 2014.
Q13: ...BUT TOP GROUPS HAVEN'T SIGNED THIS RULESET?
A13: "Top groups" truly care about music and they believe in the right to
preview before purchasing. Further to this, "top groups" should strive
to fix things that they know are broken. Which we are attempting to do
with this rule set. Also, "top groups" adapt.
Q14: I DON'T BELIEVE IN CHANGING RULES...
A14: I don't believe in using electricity... Opinions are like assholes: we
all have one. For the sake of democratic however, your voice is, at
best, shared by 1/4th of the active MP3 scene. Should less than 25%
dictate for 75%? Maybe, at best, 25% think so. Welcome to the real
World...
Q15: COULDN'T THIS HAD WAITED LONGER TO GET MORE GROUPS' SUPPORT?
A15: Considering that RIAA2013 went final in December 2012 and was granted 1
full year of debating, we like to think that everybody had their chance
and were presented the project rightfully. We cannot, and will not, be
accountable for the MP3 Council's inaction and deliberated deaf ears on
our multiple requests to work with them.
Q16: ...BUT MP3COUNCIL?!?
A16: So if you're still part of the 1% of people asking about this you're
either trolling, arguing in bad faith and/or just plain stupid, as the
MP3 scene's only goal is to preview commercially available music before
making a decision on purchase. Evolve or die!
Q17: IS THIS THE END OF THE MP3 SCENE AS WE KNOW IT?
A17: No, this is only the end of the txt. After all what's being said,
remember that this is only about the rules. The opinions that were
expressed do not necessarily reflect the opinions of the groups that
signed them.
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules, ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
Rules:
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
0.0 INDEX:
1.00.RELEASING STANDARDS.
2.00.TECHNICAL STANDARDS.
3.00.HOW TO PACKAGE.
4.00.WEB RELEASES.
5.00.LIVE RELEASES (BROADCAST).
6.00.FLASH RELEASES.
7.00.DVD/DVDA RELEASES.
8.00.HD RELEASES.
9.00.FIXING METHODOLOGY.
10.00.TIPS AND TRICKS.
11.00.DIRTAGS GLOSSARY.
1.00.RELEASING STANDARDS:
1.01.Dupechecking is performed at the release level (for example, a
complete album or EP), not at the level of individual tracks within
a release. A lone single track identical to that found on an
existing scene release is not accepted as a single new release.
A new release is not a dupe of an old release if the new
release has different or more tracks; this holds true even if some of
the individual tracks are identical between the two releases.
Examples of relevant differences include, but are not limited to:
remixes, refixes, edits, and remastered versions of tracks.
Examples:
This is not a dupe...
AC_DC-Blackout_Evolution-CDM-2015-GROUP
01-ac_dc-suey_radio-group.mp3
02-ac_dc-suey_remix-group.mp3
03-ac_dc-suey_instrumental-group.mp3
04-ac_dc-suey_hardcoremix-group.mp3
05-ac_dc-suey_vocal-group.mp3
...Even if these two similar releases were already pred:
AC_DC-Blackout_Evolution-CDS-2015-GROUP1
01-ac_dc-suey_radio-group1.mp3
02-ac_dc-suey_vocal-group1.mp3
03-ac_dc-suey_instrumental-group1.mp3
AC_DC-Blackout_Evolution-CDS_REMIX-2015-GROUP2
01-ac_dc-suey_remix-group2.mp3
02-ac_dc-suey_hardcoremix-group2.mp3
03-ac_dc-suey_housemix-group2.mp3
Similarly, a release that is a superset of previous releases is not a
dupe. Therefore you can release this...
Burial--Street_Halo_Kindred_(BRC320)-CD-2012-CMC
01-burial-street_halo-cmc.mp3 06:47
02-burial-nyc-cmc.mp3 07:40
03-burial-stolen_dog-cmc.mp3 06:23
04-burial-kindred-cmc.mp3 11:28
05-burial-loner-cmc.mp3 07:30
06-burial-ashtray_wasp-cmc.mp3 11:45
...Even if those two were already released :
Burial-Street_Halo_EP-(HDB013)-WEB-2011-MPX
01-burial-street_halo-mpx.mp3 06:44
02-burial-nyc-mpx.mp3 07:38
03-burial-stolen_dog-mpx.mp3 07:15
Burial_-_Kindred_EP-(HDB059)-WEB-2012-LiR
04-burial-kindred-lir.mp3 11:28
05-burial-loner-lir.mp3 07:30
06-burial-ashtray_wasp-lir.mp3 11:45
This is a dupe...
AC_DC-Blackout_Evolution-CDS-2015-GROUP1
01-ac_dc-suey_radio-group1.mp3
02-ac_dc-suey_vocal-group1.mp3
03-ac_dc-suey_instrumental-group1.mp3
...if this was already released :
AC_DC-Blackout_Evolution-CDM-2015-GROUP2
01-ac_dc-suey_radio-group2.mp3
02-ac_dc-suey_remix-group2.mp3
03-ac_dc-suey_instrumental-group2.mp3
04-ac_dc-suey_hardcoremix-group2.mp3
05-ac_dc-suey_vocal-group2.mp3
1.02.You are only allowed to create a higher quality duplicate release for
an existing release that had a source of lower quality.
The priority is: Data Format > Medium.
Data Format priority:
LPCM stereo > DD+ stereo or E-AC3 stereo > LPCM 3+ channels >
AC3 (dolby digital) stereo or DTS stereo > Dolby TrueHD >
AC3 (dolby digital) 3+ channels or DTS 3+ channels (DTS-HD) > MPG
Medium priority :
BD or DVD or DVDA or DVDS or HDVD or SACD > HDDVDR or BDR or DVDR >
CDA or CD or CDS or CDM or CDA or CDEP > CDR > VL > WEB >
CD BOOTLEG > TAPE
Example:
If an LPCM stereo source becomes available where the previous rip only
had an AC3 source, you may create a duplicate release from the LPCM
source. Keep in mind that although the original AC3 source may have
been a Bluray or other advanced format, a LPCM stereo CD source will
take priority.
1.03.Depending of the stage of creation of a medium, it can be called
either RETAIL, ADVANCE or PROMO. The appropriate Extra dirtag is
determined based upon such factors as the track numbering scheme, the
physical package and comparison of the MP3 bitrate with that obtained
for previous iterations of the release.
Advances are mastered versions of studio album that resemble the final
store version but that may have a slightly different sound or even
different tracks included.
A promotional recording, or -PROMO-, is typically given away free to
broadcasters, DJs and journalists prior to the commercial release of
the music being promoted. Promos rarely have detailed tracklists,
liner notes or graphic packaging. Proof scans for promos need not
contain tracklists if they are not present. Promos may yield lower
bitrates upon compression than a -ADVANCE- or a -RETAIL- version of the
same tracks. It is also possible that all tracks may not have the same
sound amplitude (See 3.17-3.23).
Additional tags include -REMASTERED-, which reflects a sonically new
or different version of a release which is thus not a dupe.
-REMASTERED- should never be confused with -REISSUE-, which simply
reflects a previously out-of-print or hard to find recording becoming
available in a new edition. If the out of print recording has already
had a release, then a release of the -REISSUE- count as a dupe, unless
it features some real differences from the original version, like bonus
tracks.
The priority is REMASTERED > REISSUE or RETAIL >= ADVANCE > PROMO
Exceptions:
If a RETAIL album has been released and you have a different edition of
the same album (foreign/promo/advance/preorder/..) then it's allowed to
just release the different tracks and label it as -BONUS_TRACKS-.
However you cannot re-release the entire recording 90 days after the
initial scene release except if:
A. It's a 1 disc release and more than 50% of the tracks of your
version are not on the previous "retail" version.
B. It's a multi disc release and either more than 50% of the tracks or
at least 6 tracks of your version are not on the previous "retail"
version.
Example:
The advance pressings of Spiritualized’s Ladies and Gentlemen, We Are
Floating in Space album included some Elvis lyrics in the titular
track. Due to legal threats, the retail version ended up with a
remixed version with different lyrics. Advances are early drafts of
final studio albums and can sometimes yield a very minor difference in
bitrate upon compression, compared to the final retail version or other
versions that may be available. If both -ADVANCE- and -RETAIL- prove
to contain the same content and length and the only difference is the
proof scan, then -ADVANCE- also counts as -RETAIL-.
1.04.The tracks of a release must all be from the same source and have the
same quality/cbr-bitrate/vbr-setting/encoder/setting (Exception: FLASH
releases and WEB with screenshots of purchase; these sources have
repeatedly been shown to contain files created by multiple encoders).
Taking tracks from other sources to release yourself is strictly
forbidden. This prohibition explicitly includes non-purchased lossless
sources; if you don’t have access to the original media, then don't
bother releasing it as you can’t release a fix if needed, and that’s
not acceptable.
1.05.Every scene releases must be allowed to be spread on scene sites and
to get indexed in dupechecks. Groups that dont allow their affils to
spread the releases are allowed to be duped without nuke.It is
however not allowed to repackage the original site-restricted invalid
release and claim it as yours.
1.06.Self-made(*) is not allowed.
*=A self-made is when you select tracks from various different sources
and release them as new.
2.00.TECHNICAL STANDARDS:
2.01.For ALL sources which need encoding you must use LAME v3.99.5
with preset V0 ("-V0") only.
2.02.A proper LAME header is required for retail mediums.
Example:
http://gabriel.mp3-tech.org/mp3infotag.html
2.03.The source sampling rate must either be of 44.1KHz or 48KHz and no
upsampling or downsampling is allowed.
2.04.ID3 headers shall have no images inserted in them.
2.05.All MP3 files need both an ID3 v1.1 and v2 tags. ID3 tags must
include the Artist, the Title and the Album. It is not allowed to use
"VA" as the Artist name. The fields "Year", "Genre" and "Tracknumber"
must also be filled but a release may not be nuked if those are filled
incorrectly.
2.06.Multi channel audio is not allowed and you need to downmix the source
tracks to stereo (2 channels). It is good form, but not required, to
give some details about the downmixing process in the release’s .NFO.
Groups are encouraged to release AC3 multichannel rips as INTs where
there is a compelling musical interest to do so (for example, 5.1 mixed
versions of albums from the Flaming Lips, Beatles, Meat Beat Manifesto
or the live 5.1 mix from NIN’s Beside You In Time Blu-ray).
3.00.HOW TO PACKAGE:
3.01.Both an .SFV and an .NFO file are required for every release.
3.02.Maximum directory+filename-length is 255 characters.
3.03.Allowed characters are a-z A-Z 0-9 _ . - ()
3.04.Directory name must, at minimum, contain:
Artist - Title - Source - Published Year
3.05.Directory names can contain:
Artist - Title - Special(*) - Additional Comments (**) - Cat Nr -
Source(***) - Language - Radio Station - Published Year - Group
*=ADVANCE, AUDIOBOOK, BONUS, BONUS_TRACK, BOOTLEG, CLEAN, CUE_FIX, DEMO,
DELUXE, DIRFIX, EDITION, EXTRA, FANCLUB, LIMITED, LIVE, MAG, MAXI,
NFOFIX, PROMO, PROPER, PROOFFIX, READ_NFO, REISSUE, REMASTERED,
REPACK, RERIP, RETAIL, SPLIT, SAMPLER, SNIPPET, TRACKFIX. This list
is not exclusive.
**=Any extra information about the release.
You can only use ONE Source per directory name.
Examples:
AC-DC-Blackout_Evolution-RETAIL-CD-2015-GROUP
AC_DC-Blackout_Evolution-CDS-2015-GROUP2
AC_DC-Blackout_Evolution-SAT-2015-GROUP3
AC_DC-Blackout_Evolution-PROMO-CDR-2015-GROUP4
AC_DC-Blackout_Evolution-PROMO-EXTRA-K7-2015-GROUP5
***=AM, AUD, BD, BDR, BONUS_CD, CABLE, CD, CDA, CDEP, CDM, CDR, CDS, DAB,
DAT, DLC, DVBC, DVBS, DVBT, DVD, DVDA, DVDR, DVDS, FLASH, FM, HDDVD,
HDDVDR, K7, LINE, LP, MCD, MD, MLP, SACD, SAT, SBD, TAPE, VINYL, VLS,
VL, WEB (See 11.0).
3.06.If any extra packaged material that came bundled with any medium
is released it should be released as is and untouched, unless it is a
lossless music format, in which case it must be encoded using the
official standard. Extra packaged material must be tagged as either
-BONUS-, -EXTRA- or -DLC-, be compressed in .RAR and contain a .SFV.
3.07.All bootleg(*) and mixtape releases must be tagged as -BOOTLEG-.
*=A bootleg recording is any medium that was not officially released by
the person/company owning the rights to do so. Bootlegs in the classic
sense of being recorded live at a concert need an additional source
tag, like –AUD- for an audience recording, or –SBD- for a soundboard
recording.
3.08.Independently released music is done by an artist without a label (or
with his own small label) and is not a -BOOTLEG-.
3.09.If you release a medium that was supplied from a magazine or via any
other print media (book/newspaper/etc) then you must tag it -MAG-.
3.10.The directory name of an INTERNAL release must end with _INT.
Internals are not subject to nuking, and as such groups can do as
they please in this regard (eg: higher bitrates/multichannels/etc)
Example:
AC_DC-Blackout_Evolution-CD-2015-GROUP_INT
3.11.If the publication year is nowhere to be found on the medium or
online then an approximation to the best of the ripper’s knowledge
is allowed.
Example:
You get a CD without release year information available on the
packaging or online. You do know for a fact that it was pressed
between 2000 and 2009 and there are several sources that back this
date range up. In this case it's allowed to tag the release as
-200X-. If it could have been pressed either in the 1900s or in the
2000s, such as the range between 1995-2005, then it's allowed to tag
the year as -XXXX-.
3.12.Filename must at least contain:
Track Number - Song Title
If it's an album with different artists (one artist per track) then
you must add the artist name as well ("VA-tracks" like mixes don't
need artist names). The song title for the filename must include
the full title as it's written on the cover/cd/inlay with all
additional information (remixed/features/etc), subject to filename
length limitations. Common abbreviations are acceptable (feat. for
featuring, for example).
Exception:
If no tracknames are supplied by the source (CD/VLS/etc) then you
must provide evidence that these tracks have no names, such as a
discogs.com link. If these "untitled tracks" are part of a big mix
(no silence between the "tracks") then it's considered as one track
and you must rip it as one MP3/CUE and title it the same as the
"album".
3.13.Typos are not tolerated in artist name or album title fields. Other
typos (in tracknames/ID3/etc) are only tolerated if they are minor
(less than 10%) and only if the dirname is 100% correct (Artist and
Title). If a "typo" was on the original medium and you can proove
this then it doesn't count as a typo. See rule 3.30 for more on
retail defects.
3.14.A release with an apparently incorrect Year or Language may not be
nuked. However a -DIRFIX- is strongly recommended.
3.15.It's not allowed to use more than one successive dot (.) for naming
directories and/or tracknames.
Examples:
AC_DC-Blackout_Evolution...Encore-CD-2020-GROUP => Not allowed
AC_DC-Blackout_Evolution___Encore-CD-2020-GROUP => Allowed
3.16.Split(*) releases need to be tagged as -SPLIT-, not VA or a
combination of both. Please note that if a release isn't
specifically labelled as VA (by the industry) it needs to be tagged
as -SPLIT-. Also, a release cannot be nuked for being VA -SPLIT-.
*=A -SPLIT- release is when two or more artists use the same medium to
release their own standalone content. There are split albums, singles
and EPs. It is considered a -SPLIT- if there are up to 4 artists.
Anything else with more than 4 artists should be tagged VA. As a rule
of thumb, a –SPLIT- release will include several tracks from each of
just a few artists, in contrast to a VA release which will have many
artists with only one or two tracks each.
A suggested tagging alternative is to use two dashes in between the
artist and the album so you can use the single dash to separate the
different artists from one another, the dash being the divider.
Example:
"Artist1-Artist2-Artist3--Album_Name1-Album_Name2-Album_Name3-
SPLIT-2012-GROUP"
instead of
"Artist1_Artist2_Artist3-Album_Name1-Album_Name2-Albume_Name3-
SPLIT-2012-GROUP"
3.17.All releases from a physical medium must include a proper Proof. A
proper Proof means a clear and recognizable scan or photo made with
a resolution of at least 800*600 (or 600*800) pixels of the physical
medium together with the cover or a booklet page from as close as
possible so the Proof can be identified.
It's allowed for vinyl proofs to just show the record in the proof
without showing the paper sleeve.
3.18.A proof must be unique. What that means is that you are not allowed
to re-use or edit a proof coming any non-MP3-scene source. You need
to generate your own proof.
Exception:
If a mp3 release is made from a sister group’s(*) release, the
sister group’s proof may be recycled.
*=A "sister group" is the same group name that expanded into another
Section eg if –ABC has the sister group –ABCFlac.
Example:
Group -ABC can recycle group -ABC-HD’s proof.
3.19.If the medium or cover/booklet contain anything that may expose your
identity then it can be hidden/cut off. Keep in mind that some
blurring tools may not be secure.
3.20.Any upscaling of images or any modification (such as adding
black/white bars) to meet the size requirements is not allowed.
3.21.If your release contains multiple media and each item is clearly
numbered then you are allowed to only add one of the media in the
proof.
Example:
Artist-Album-15CD-Year-Group
Each CD is clearly labeled "CD1/CD2/etc/CD15" then you can provide
Proof of only CD4 with a cover/booklet in the Proof scan/photo.
3.22.Booklet scans are welcomed but optional and do not count
as sufficient proof.
3.23.For -PROMO- you need to have your group name on a paper and have it
placed on the medium so both are clearly visible in the Proof.
3.24.All MIXED/LIVE CDDA(*) need to be ripped as one track with a .CUE with
the Artist and the Tracknames in the .CUE. If this data is not
available, you need to label them as Unknown and Untitled and provide
evidence that this is indeed the case.
*=MIXED/LIVE CDDA means a medium without silence between the "tracks".
It is also strongly encouraged to name the .CUE file accordingly to
the .MP3 file and also make sure that the path inside the file points
to the corresponding .MP3
Lastly, a .CUE file is not allowed if your medium contains just one
track, unless there is some compelling technical reason such as
presence of extra index points as per red book standard.
3.25.If a medium has no information about it available then you are allowed
to use BOTH the Label AND the Cat Number as the name of the release.
If there is only one artist on the vinyl/CD then you must add the
name of the artist.
Example:
My_Music_Records-MMR941.02-CD-2012-GROUP
3.26.If you have a retail Source and it was pressed with a defect/skip
then you are allowed to release it given that you package it with
-READNFO- in the dirname and that everything else is proper
(Proof/Encoding/etc). Obviously, the .NFO must contain information
concerning the nature of the defect.
3.27.EPs in CDDA format should be packaged as -CDEP-.
3.28.Audiobooks(*) need to be tagged as -AUDIOBOOK-.
*=Audiobooks are spoken versions of books that can span one or multiple
media, generally CDDAs. More often than not there is no music on
audiobooks; it's just a narrative spoken story.
3.29.Any extra packaged material that came bundled in with any medium needs
to be released as is and untouched, unless they are lossless, in which
case they need to be encoded using the official standard. Extra
packaged material must be tagged as either -BONUS-, -EXTRA- or -DLC-,
be compressed in .RAR and contain a .SFV.
3.30.A -SAMPLER- is made up of several full songs from an upcoming album
while -SNIPPET- is used to tag previews of songs.
Examples:
Burial--Street_Halo_Kindred_(BRC320)-CD-2012-CMC
01-burial-street_halo-cmc.mp3 06:47
02-burial-nyc-cmc.mp3 07:40
03-burial-stolen_dog-cmc.mp3 06:23
04-burial-kindred-cmc.mp3 11:28
05-burial-loner-cmc.mp3 07:30
06-burial-ashtray_wasp-cmc.mp3 11:45
Burial--Street_Halo_Kindred-SAMPLER-2011-CMC
01-burial-street_halo-cmc.mp3 06:47
02-burial-loner-cmc.mp3 07:30
03-burial-ashtray_wasp-cmc.mp3 11:45
Burial--Street_Halo_Kindred-SNIPPET-2012-CMC
01-burial-street_halo-cmc.mp3 00:47
02-burial-nyc-cmc.mp3 00:40
03-burial-stolen_dog-cmc.mp3 00:33
04-burial-kindred-cmc.mp3 00:28
05-burial-loner-cmc.mp3 00:56
06-burial-ashtray_wasp-cmc.mp3 00:45
4.00.WEB RELEASES:
4.01.The -WEB- tag must be used for releases that are available to
purchase in webshops(*). At the time of writing, webshops are
currently the most common method of distributing music online.
But it can also, but not exclusively, be bundled in as bonus/extra
material on any physical medium.
*= Webshop means a place where you can "Add to cart" and "Checkout" and
which isn't fuelled by illicit and/or obscure music connections.
Valid webshops are endorsed by the music industry.
4.02.Encoding priority is:
VBR (WAVSRC(-V0)) or 320CBR > VBR > 256CBR > 224CBR > 192CBR
Any superior quality supersedes any lower quality for a period of 90
days (3 months) after pre date. When releasing a higher quality
version of a rip, it needs to be tagged as -READNFO- and the .NFO needs
to explicitly state the difference(s) and/or reason(s) why there is a
newer release.
Examples:
192CBR released in May 2013 => you can release 256CBR in June 2013.
VBR released in June 2013 => you can release VBR -V0 in July 2013.
VBR -V0 or 320CBR released => you cannot release any other version.
4.03.You need to include the valid URL of the webshop(*) from which you
purchased your release in the .NFO. You cannot specify any address
where the tracks are free for download for everyone without being
charged.
4.04.If your webshop purchase was in a lossless format (such as .WAV) then
you must convert it to MP3 (See 4.2). Conversion to MP3 from any lossy
source is not allowed.
4.05.-WEB- releases containing MP3s encoded by multiple different encoders,
as demonstrated by inspection of the MP3 header, are only allowed if
you provide proof that the original online retail source is selling
the release in this way.
4.06.If a digital (-WEB-) release comes out with a physical medium (or vice
versa) then it's allowed to make a proof scan of the medium alongside
the download paper that came bundled with it. You are also allowed to
blur a portion of the download path so long as the rest of the URL
and the medium can be clearly identified.
4.07.It's not allowed to release -WEB- rips with skips/defects in them.
You can however release them as internals.
5.00.LIVE RELEASES (BROADCAST):
5.01.The source priority is:
DAT or LINE or SBD > CABLE or DAB or DVBC or DVBS or DVBT or SAT >
terrestrial radio (AM/FM) > WEB > AUD
5.02.The set must be complete from the intro to the outro. If there were
broadcasting glitches then it is suggested that you do not release it
or do it as INT.
Exceptions:
If your release has extra material that is part of the original show
but that was aired after the outro (such as encores) and this "extra
segment" is at least 5 minutes long then you are allowed to rerelease
the whole show as -READNFO-, not as -PROPER-.
5.03.If a show has already been released (e.g. another name, but the mix is
the same), no dupe of that same show is allowed. If the show is
included in another release (for example, as a guest mix), then it is
neither allowed.
5.04.If a show, containing a guest mix, is a partial dupe (either the
regular part of the show, or the guest mix), it is allowed to release
them both as a set. However, it is encouraged to release only the new
part if the other part is available in equal or better quality,
denoting in the nfo why the other part was omitted.
5.05.If a show contains the broadcast of a commercially released CD then
you may not release it unless the CD was not already released.
5.06.All commercials must be removed.
5.07.DJ talk can be included to a certain extent: track announcements and
short lines from the DJ should not be removed; interviews and other
long talk needs to be removed. You can however -WEB-BONUS- it.
5.08.It is encouraged to fade-in and fade-out the set. However, lack of
fades does not constitute a reason for releasing a -PROPER-.
5.09.Straight-to-MP3 encoding is allowed, but discouraged as the header of
the MP3 file must be correct at all times.
5.10.Downsampling to 44.1 or 48KHz is allowed (if source is better).
Upsampling to 44.1KHz or 48KHz from a weaker source is not allowed.
5.11.Live recordings of concerts (not from broadcast) typically require a
tag for source (SBD/LINE/AUD) as well as the -BOOTLEG- tag. -AUD-
reflects a recording made using microphones situated in the audience
area. The .NFO should give as many details on recording hardware and
mastering methodology as possible.
6.00.FLASH RELEASES:
6.01.If your medium contains a version in a lossless format then you are
required to release that as -FLASH-.
Example:
Your flash drive contains both a .MP3 and a .WAV release. You need to
release the converted .WAV version.
6.02.If the FLASH medium contains multiple formats (e.g. 10 tracks WAV and
a DJ MIX MP3) it is allowed to release it as one release with mixed
VBR/CBR and multiple encoders.
6.03.Proof is also required and is subject to the same rules as retail
(See 3.17-3.23).
6.04.Codec of source (MP3/PCM(WAV)/etc) is required in the .NFO.
7.00.DVD/DVDA RELEASES:
7.01.Priority of audio track source is:
1. PCM stereo (doesn't matter if DVDA or CDDA quality)
2. PCM 3+ channels
3. AC3 (dolby digital) stereo or DTS stereo
4. AC3 (dolby digital) 3+ channels or DTS 3+ channels
5. MPG
Examples:
DVD contains AC3 5.1 and AC3 2.0 => you must rip the AC3 2.0 tracks
DVD contains PCM and AC3 2.0 => you must rip the PCM tracks
DVD contains MPG and AC3 2.0 => you must rip the AC3 2.0 version
7.02.If tracks are available in several audio formats then you must use the
"best" version (See 1.2).
7.03.Normalizing the sound volume is allowed but optional; it is encouraged
that you document normalization status in the .NFO.
7.04.Additional .NFO information required includes:
- Codec of source (AC3/PCM/MPG/DTS/etc),
- Number of channels of source (2.0/2.1/5.1/etc)
7.05.By default a DVD's sound is *NOT* DVDA, (sometimes written asDVD-A or
DVD-audio). DVDA is a high fidelity audio format that is distinct
from the audio associated with a regular video DVD. Groups are
encouraged to release true DVDA as internal .ISO files, to preserve
full fidelity.
8.00.HD RELEASES:
8.01.The source priority is
DVDA > SACD > BD > HDDVD > DVD or DVDS > HDDVDR > DVDR
8.02.A HD DVD/BD concert recording release must contain the complete set
of music tracks from the concert. Additional tracks
(interviews/videos/bonus/etc) are optional. If those extra tracks are
not included then any other group can release them as -EXTRA-
8.03.HD DVD and BLU-RAY video clip releases should be ripped as multi track
release keeping original tracklist (not .M2TS sequence).
8.04.If tracks are available in several audio formats then you must use the
highest bitrate lossless source track.
8.05.For a DTS HR/HD MA track you need to extract the DTS core.
8.06.Multi channel audio is not allowed. Always downmix source tracks to
stereo (2 channels) if a native stereo version is not available. It is
good form to include details on your downmixing procedure.
8.07.Downsampling to 44.1 or 48KHz is allowed (if source is better).
Upsampling to 44.1KHz or 48KHz from a weaker source, however, is not
allowed.
8.08.Normalizing the sound volume is allowed but optional; please document
normalization status in .NFO.
8.09. .CUE file made from source chapters should always be included with
the final release package.
8.10.Additional informations required in .NFO (See 10.3) :
- Codec of source (AC3/DD+/PCM/MPG/DTS/DTS-HD/Dolby TrueHD)
- Bitrate of source (448/640/768kbps/1536kbps/etc)
- Number of channels of source (2.0/2.1/5.1/etc)
9.00.FIXING METHODOLOGY:
9.01.Only one trackfix per release is allowed. If the release needs a
second trackfix or more than 50% of the tracks need a fix then you
must re-package the whole thing.
--> A 1-track fix for a 2-track release is allowed (=50% and not
"more than 50%").
9.02.If you release a dirfix then the dirname of the problematic release
must be listed in your .NFO file.
9.03.Following your release getting nuked, you have:
- 7 days to fix for typos and wrong dirnames
- 2 days to fix for missing proof, technical flaws (skips, wrong
encoder)
After grace period any other group is allowed to -PROPER-. It's also
allowed to proper even if a release wasn't nuked just as long as the
reason for propering is clearly stated in the .NFO. In which case
it is suggested to tag as -READ_NFO-.
9.04.It is not allowed to -DIRFIX- a given release more than once and you
cannot -PROPER- a -DIRFIX-.
9.05.For -WEB-, if your trackfix comes from a different webshop than the
original release then you need to mention it in the NFO while also
supplying the new webshop URL.
10.00.TIPS AND TRICKS:
10.01.Make sure that your filenames are unique otherwise some sites might
dupeskip. This type of mistake doesn't make a release worthy of a
nuke, however. This problem often arises with the
"unknown - untitled" tracks scenario.
10.02.Wipe EXIF data from your proof scans/photos using your favourite
freeware.
10.03.For finding the Codec source of DVD/BD/etc we suggest using :
http://mediainfo.sourceforge.net/en
10.04.The audio of a normal video DVD is *NOT* DVDA! The audio of a DVD
usually is MP2/AC3/DTS compressed (lossy) while the audio of a real
DVDA is high quality PCM (lossless, e.g. 24bit/192KHz) and/or
multichannel.
To properly rip true DVDA you can use :
http://www.pazera-software.com/products/audio-extractor/
10.05.Even if the Language and/or the Cat Number are not required in the
dirtag they are strongly encouraged.
10.06.At the time of writing this, those webshops are known for sometimes
supplying their tracks encoded with multiple encoders :
http://www.junodownload.com/
http://www.indiegala.com/
One way to find out if your release was encoded by multiple encoders
is to use a program such as truelame.exe
10.07.Even if not required, it is strongly encouraged that dirnames should
always begin with a letter or number to avoid spreading issues.
10.08.When taking more than 24h to fix a release it's best to -REPACK- (or
-RERIP- depending on the case) as some sites purge nuked releases
after that period of time.
10.09.Even if typos are slightly tolerated (See 3.13-3.14) it is strongly
suggested that you put extra effort into finding and correcting them
when packaging.
10.10 Even if the .M3U is not required with the release it is strongly
encouraged to provide it.
10.11.For converting to WAV we suggest using Free Audio Converter
(AKA FRE:AC) at http://www.freac.org/
11.00.DIRTAGS GLOSSARY:
11.01.Valid physical sources dirtags are:
-BD- [BLU-RAY DISC *PRESSED*]
-BDR- [BLU-RAY DISC RECORDABLE]
-BONUS_CD- [CD ADDITIONAL *PRESSED*]
-CD- [CD OTHER *PRESSED*]
-CDA- [CD ALBUM *PRESSED*]
-CDEP- [CD MINI-ALBUM *PRESSED*]
-CDM- [CD MAXI *PRESSED*]
-CDR- [CD-RECORDABLE]
-CDS- [CD SINGLE *PRESSED*]
-DVD- [DVD *PRESSED*]
-DVDA- [DVDA]
-DVDR- [DVDR]
-DVDS- or -DVD- [DVD VIDEO SINGLE *PRESSED*]
-EXTRA- or -BONUS- or -DLC- [EXTRA BONUS CONTENT]
-HDDVD- [HD DVD *PRESSED*]
-HDDVDR- [HD DVD RECORDABLE]
-LP- or -VINYL- [VINYL ALBUM]
-MCD- [MINI CD]
-MD- [MINIDISC]
-MLP- [MINI VINYL]
-SACD- [SACD]
-SAMPLER- [ALBUM PREVIEW]
-SNIPPET- [TRACK PREVIEWS]
-TAPE- or -K7- [ANALOG TAPE/CASSETTE]
-VL- or -VINYL- [VINYL OTHER]
-VLS- or -VINYL- [VINYL SINGLE]
11.02.Valid live sources dirtags are:
-AM- [AM ANALOG RADIO]
-AUD- [DIRECT LIVE RECORDING FROM THE AUDIENCE]
-CABLE- [ANALOG CABLE]
-DAB- [DIGITAL AUDIO BROADCAST]
-DAT- [DAT TAPE]
-DVBC- [DIGITAL VIDEO BROADCAST CABLE]
-DVBS- [DIGITAL VIDEO BROADCAST SATELLITE]
-DVBT- [TERRESTRIAL DIGITAL VIDEO BRAODCAST]
-FM- [FM ANALOG RADIO]
-LINE- [DIRECT RECORDING BY THE RIPPER FROM SOUNDBOARD/MIXER
THROUGH THE LINE-IN INTERFACE]
-SAT- [ANALOG OR DIGITAL SATELLITE]
-SBD- [RADIO STATION OR DJ RECORDING **NOT A WEBSTREAM**]
11.03.Valid digital sources dirtags are:
-WEB- [PRE-COMPRESSED MP3 FILES FROM A MEDIUM]
-FLASH- [FLASH MEDIUM : SLOTMUSIC/COMPACSTICK/ETC]
11.04.Valid other source dirtag is:
-BOOTLEG-
11.05.Unallowed sources are:
-FREE- [ANY FREE]
-STREAM- [FREE WEBSTREAM]
11.06.Valid fixing dirtags are:
-CUEFIX- When a group failed to properly package the .CUE file and
rereleases a missing or incorrect .CUE file as standalone.
-DIRFIX- When a group failed to properly package a directory name
and rereleases it as standalone.
-NFOFIX- When a group failed to properly write a NFO file and
rereleases it as standalone.
-PROOFFIX- When a group failed to release a proper proof they need to
use this dirtag to correct their fault.
-PROPER- When a release gets nuked (bad tag, bad rip, no proof, etc)
and another group propers it, they -PROPER- it.
-REPACK- When a group failed to package correctly (ID3vx/missing
tracks/mislabeled/etc) the *SAME* group repacks their nuked
release.
-RERIP- When a group failed to rip properly (clipping, cut off/
incomplete tracks/etc) the same group rerips their nuked
release.
-TRACKFIX- When a group failed to release all tracks properly and
rereleases only the fixed tracks as a standalone fix.
__________________________________________________ _____________
Ü Ü
Üß ßßþÜÜ
þ þ ßÛÜÜ
ßÜÜ ÞÛÛÛÜ Üß Ü ß
ÞÛÛÛÜÜ ßÜÜ Ü²ÛÛÛÛÛ ÞÛÛÜ ²²
ÛÛÛÛßÛÛÛÜÜÜ ßÛÛÛÜÜÜÜÜ þ ßÛÛÛÛßÛÛÛ ßÛÛÛÛÛÝ
iks ÛÛÛÛ ßßÛÛ²± ÛÛÛÛÛ ÛÛÛ² ÛÛÛ ÛÛÛÛÜ RIAA
°°°°°° ÛÛÛÛÝ Üܲ²ßß ÞÛÛÛÛÝ ÛÛÛ² ÛÛÛ ÛÛÛÛÛÛÛÜ °°°°°°
°°°°°° ÞÛÛÛÛÛÛÛÜ ÞÛÛÛÛ² °ÛÛÛ² ÛÛ² ÛÛÛÛß ßÛÛÛÜ °°°°°°
titan ÞÛÛÛÛßÛÛÛÛÛÜÜÜ ÜÜÛÛÛÛÛÜÛÛÛÛÜÜÜÜÜ ÞÛÛ² ÛÛÛÛ ßÛÛÛÜ 2013
þÜÛÛÛÛÝ ßß²ßßÛÛ²²ßßßß ßßßßßÛÛÛÛÛ²°²ÛÛ² ßÛÛÛÜ
ßßß²² Üßß ° ßßßßÛÜÜÜ ßÛÛ²°
þ ßßÛÜÜ ÛÛ²°
Ü ßßÛÜÜ ÞÛÛ²
þ ß ß²²ÜÛÛÛÝ
ßþ Ü Ü þ Tried and tested rules ßÛÛÛÛÝ
by the true MP3 scene! ÞÛÛß
Üßß
ß
RIAA2013 active since 2014-01-01, signed by:
1KING, B2R, BF, BOSS, CBR, CMC, CRUELTY, D2H, DGN, dh, DJ, DPS,
EiTheLMP3, FKK, FMC, G4E, GCP, gF, HB, HFT, HQEM, iTS, JiM, JUST,
JUSTiFY, KOPiE, LFA, mbs, MnD, MOD, MST, MTC, NOiR, NRG, OGV, OMA,
ONe, RAC, RAiN, SC, SDR, SiBERiA, TALiON, TSP, uC, UKHx, UKi, USF,
VOLDiES, VOiCE, wAx, WLM, WUS, wWs, XXL, YARD, YOU & ZzZz.
Complimentary signatures:
ALKi, ATM, ATR, Bacardi, diss, EViGHET, iDM, iMPG, kHz, LOGOS, MS,
0MNi, PoS, Q17, SYN & TrT.
[U]Tools:
02.01-lame3.99.5-x64.rar
02.02-Mp3 Info Tag revision 1 Specifications.htm
10.02-MorGoTHs_v351.txt
10.02-MorGoTHs_v351.zip
10.03-MediaInfo_GUI_0.7.65_Windows.exe
10.04-Pazera_Free_Audio_Extractor.exe
10.06-TrueLameVersion_v0.2.0.rar